It’s a quiet week on the new release front, but on the video front, things are popping. Perhaps the biggest debut was Katy Perry’s new video. The pop vixen performs as her alter-ego Kathy Beth Terry, and the video features none other than Rebecca Black and other familiar faces. If that doesn’t float your boat, check out what else is happening on youtube.com/music today.
Eminem’s favorite collaborations
How many EPs generate this much buzz? Eminem and fellow Detroit rapper Royce da 5'9 go way back -- the duo met in 1997 and immediately clicked. They formed Bad Meets Evil and recorded a few songs, but then Emimen got signed to a major label and, well, you know the rest. Though Royce appeared on The Slim Shady LP, various beefs led the friends to fall out until a mutual friend’s death reunited them a few years ago. Now they’re back in the studio, and Royce’s skillful rhymes seem to have invigorated Eminem: he sounds looser and more playful than you’ve heard him in years. You can see their chemistry in the video, which emphasizes the lyricism and wordplay with painted graphics. Today, Eminem picks his favorite collaborative videos to celebrate the release. It’s a Dre-heavy mix, naturally, but he also showcases an EPMD classic and the Junior Mafia evergreen “Mo Money, Mo Problems.” Also, Royce and the famously publicity-averse Mr. Mathers take to his YouTube channel this afternoon at 5 p.m. ET/2 p.m. PT to answer your questions live.
New jazz, now
This week, we extract some fresh jazz tidbits for the curious. Top of our list? Ambrose Akinmusire, a young trumpeter out of Oakland, Ca. who has been making waves among jazz fans for his fluid compositions and compelling tone. We’ve also got Norah Jones singing a lovely rendition of “Come Rain or Come Shine” with Wynton Marsalis and a short piece on the new album from the sultry Brazilian vocalist Eliane Elias.
CHLLNGR “Ask For”
This is the first single off of CHLLNGR’s upcoming release Haven. Who is CHLLNGR? The Danish producer has been quietly remixing everybody from M.I.A. to The XX, but that’s not why we love him. First, the creepy video is a win: shot in a forest outside of Copenhagen, nothing much happens, yet you keep watching in rapt anticipation. Something might happen. Equally awesome is the song’s G-funk synthesizer line, which erupts straight out of the West Coast circa 1992 and collides with dubstep’s unsteady bass (currently London’s biggest export). It’s a subtle and smart combination, and it has us looking forward to more from this producer from the north country.
Sarah Bardeen, Music Community Manager, recently watched “Bob Dylan - Tangled Up In Blue.”
Music Tuesday: Eminem’s live Q&A, new jazz and dubstep meets G-Funk
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